Santa Monica, California
Iowa Advanced Texhnology Laboratories Building (1989 - 1982)
University of Iowa
American Center (1988 - 1994)
Paris, France
Vila Olimpica Fish Sculpture (1989 - 1992)
Hotel Arte
Barcelona, Spain
Guggenheim Museum Bilbao (1991 - 1997)
Bilbao, Spain
Der Neue Zollhof (1994 - 1999)
Düsseldorf, Germany
DG Bank Building (1995 - 2001)
Berlin, Germany
Stata Center (1998 - 2003)
The Massachusetts Institute of Technology
Cambridge, Massachusetts
(이게 그... 비만 오면 물이 센다는..... ㅎㅎ)
"As soon as I understand the scale of the building and the
relationship to the site and the relationship to the client, as it
becomes more and more clear to me, I start doing sketches".
FOG
The
key to Frank O. Gehry’s architecture is in his drawings. A Gehry
building begins with a sketch, and Gehry’s sketches are distinctive.
They’re characterized by a sense of off-hand improvisation, of
intuitive spontaneity. The fine line is invariably fluid, impulsive.
The drawings convey no architectural mass or weight, only loose
directions and shifting spatial relationships.
The Guggenheim
Bilbao is a remarkable turning point in Gehry’s work and in the history
of architecture - because it manages to maintain in built form the
impromptu sketchiness of his drawings. It’s a sketch in real space, a
sketch you can walk into. Drawing is the medium most capable of closely
recording the evolution of artistic thought - from brain to hand to
pencil to paper and back to brain.
Walking through Gehry’s sketchy building is like navigating a
projection of psychological space that is continuously unfolding. The
result: Every visitor is always located at its exact center, and the
center moves with you.
Christopher Knight
Art Critic Los Angeles Times
Excerpt from Essay in
"FRANK O GEHRY The Architect’s Studio" catalog.
The Henry Art Gallery (August 2000)
Seattle, Washington
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